What is the fact that the representation of the human figure?

The fact that the representation of the human figure is generally regarded as the most advanced step in the painter's art seems to invest it with unusual fascination for the beginner. Certainly the number of persons who deliberately choose a course of training that prepares them for painting from life is constantly increasing. These may not all succeed as figure painters, but the advantage of having worked from life will be felt in whatever direction their taste may eventually lead them; so that not only those who contemplate devoting their energies to this particular branch, but anyone who intends to take it up professionally, will do well to begin by entering on the course of study which, while absolutely necessary for portrait and figure painting, will also be found most advantageous in other branches of art. This system is indeed recommended at the best schools abroad, whether the ultimate object be landscape or figure work.

The reason is obvious. The French school—whose influence predominates strongly in America—regards both drawing and construction as essentials to the study of all the graphic arts; and these are perhaps more readily acquired through regular academic training, in the case of the landscape painter, than by confining his practice entirely to outdoor work. From this standpoint, then, these chapters on portrait and figure painting should be of value to all students; and it will be the aim of the writer to make them so. Further, it will be well to insist on the value of this kind of preparation for all who desire to become painters.